A landscape disappearing
as it is photographed
Five years of photography became an immersive art book about the Dead Sea — a personal visual story inviting reflection on beauty, loss and memory.
This is not a photo album.
This 201-page book gives equal weight to photography and first-person writing. It brings together compelling art, stories from the field and precise scientific context, inviting a deeper reflection on beauty, loss, memory and our responsibility toward a disappearing landscape. Some of the places in the book have already changed or no longer exist as photographed — each image preserves a singular convergence of water, salt, light and time.
This is where it all began
The same place, before and after. Two photographs that show in an instant why this record matters.
The dying heart of the Dead Sea
Dying Beauty began in 2021, when I returned to a salt formation I had photographed a year earlier and discovered that the place had changed completely. In that moment, the camera in my hands ceased to be only a tool for creating a beautiful image; it became a means of testimony.
During the first stage of the project I returned to the Dead Sea every week, sometimes twice a week, to create a body of work across four dimensions: the seasons; night, day, sunrise and sunset; stills, video and time-lapse; photography from the air, land and water. In 2025, a fifth dimension was added — macro photography.
The book creates a visual memory of a landscape and a period changing before our eyes — a singular document of artistic, historical and national value.
Scenes that cannot be recreated
The same sea, again and again — from the air, from the land, beneath the water and into the material itself.
At the heart of the project is a contradiction: the images are breathtaking, yet their beauty is born of retreat, dehydration and disintegration. The receding water reveals coves, crystals and new formations — and from the moment they appear, they too begin to die.
DEATH GIVES BIRTH TO BEAUTY.
The project keeps moving
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